Like us, every object has a voice and resonance depending on its material make-up, density and length. This work is an investigation of the internal and external transfer systems contained within the architecture of Biggin Gallery. The suspended hollow PVC water lines are utilized to compress and magnify the prerecorded soundscapes. When played within the gallery, the recorded resonance of the building and the live room are perceived as one.
Auburn University
Biggin Hall, Auburn, AL
Solo Exhibition, February-March, 2012